Overwhelming.
On Thursday evening, ‘A2-B-C’ (WEBSITE) was screened for the first time in Fukushima, for an all-invited audience of the participants in the film, along with their extended families, friends, and a handful of journalists. For the first time ‘A2-B-C’ would be screened in Fukushima, and it was so important to be able to share the film with the families on a big screen in a proper cinema. This screening was realized through the generosity of film distributor @Entertainment (photo with staff, directly below) and through the support of Tohoku University and of Forum Fukushima Cinema’s managing director, Mr. Abe Yasuhiro (photo, second below).
On Thursday evening, ‘A2-B-C’ (WEBSITE) was screened for the first time in Fukushima, for an all-invited audience of the participants in the film, along with their extended families, friends, and a handful of journalists. For the first time ‘A2-B-C’ would be screened in Fukushima, and it was so important to be able to share the film with the families on a big screen in a proper cinema. This screening was realized through the generosity of film distributor @Entertainment (photo with staff, directly below) and through the support of Tohoku University and of Forum Fukushima Cinema’s managing director, Mr. Abe Yasuhiro (photo, second below).
Following the screening, I had prepared a surprise: a 12-minute collection of the video messages from people around the
world who had felt moved to offer words of support to the families affected by this disaster after seeing the film in one
of the many festivals in which it has been screened.
Since returning from Raindance Berlin just two days earlier
(INFO), the editing of this special program came down to the wire, and the
first time that any of the staff involved in the event saw it was when it was
screened in front of the packed cinema.
The reaction was intense and the sounds of crying echoed
throughout the theatre as the words of support from people around
the world were heard:
“You are not wrong to worry about your children.”“You are in our hearts.”“You have not been forgotten.”
It was an immense honour to present to the families these
messages with which I had been entrusted, and later they told me how much the
messages had meant to them, how knowing that there are people in the world who
are thinking of them had given them strength.
The mothers had a surprise for
me as well. Mrs. Shima presented me with a pair of handsome cufflinks from the mothers, and then Mrs. Sugano spoke about what the
experience of taking part in the film had meant to her and her family, and how
she had put her faith in me and allowed me into their lives at a time when she
no longer trusted the media. I was completely over-whelmed.
In the lobby after the screening, I was able to offer my
personal gratitude to each of the people who appeared in the film, and to ask
them for their continued trust as I continue the work to which I am called.
The next day, the screenings of ‘A2-B-C’ in Tohoku continued,
with two showings sponsored by Tohoku University in Sendai, the epicenter of
the 2011 earthquake. The screenings,
arranged by Tohoku University Professor Sakata Kuniko, were attended both by
local members of the public and people who had evacuated to Sendai from Fukushima.
Each of the screenings was followed by a “talk
session”. During the first one, I
was honoured to join panelist and Baptist Minister Rev. Hanae Igata, who offered her reaction to the film as well contextualized some of the issues raised in it by speaking about her own experiences with volunteer group Tohoku HELP. Also on the panel led by Professor Sakata was Mr. Shigeki
Ota, a representative of the Miyagi network to protect children from radioactivity and the Marumori and Mountain Farm
& miso studio SOYA.
While many of the
questions raised by the audience during the two sessions were interesting and relevant, I must admit that I have often been
surprised by some of the clearly unrelated comments offered by
people at screenings in Japan. It
is as if they have prepared ahead of time questions relating to a personal agenda
that they are determined to ask after the screening whether they are relevant or not. Are these people actually watching the film or are they just rehearsing their question over and over in their heads for 71
minutes?
During the de-briefing with the event staff later that
night, I mentioned my confusion at the seemingly disproportionately unrelated things
people say during the Q&A’s following domestic screenings.
“In Japan”, I was told by one young mother and event
volunteer, “normal people are too worried about what others will think of them
to ask a question.” She then
explained that anyone in Japan who quickly raises their hand when you ask if
there are any questions is, by nature, “different” and that this accounts for why
many of their comments can sometimes be so “individual”.
The people who truly engage with what they are experiencing
are too afraid to speak up and the ones controlling the conversation have their
own agenda. Perhaps there are
some parallels here to the problems that this country’s government is facing
post-Fukushima.
May more of the people like the mothers of ‘A2-B-C’, those
with the good questions and many of the answers, have the strength and the
courage to start raising their hands, their voices. And may the ones who have been speaking until now have the awareness to listen. Amen.
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